Now attending the Master program of Dept. Theatrical Design & Technology in TNUA (Taipei National University of Arts), I major in lighting design. My main field in theatrical designs include set, light and scenographer. In recent years I have cooperated with director Lee, Ming-Chen (Style Lab), Flying Group, and Body Phase Studio.
My lighting concepts usually based on human perception of time and space from actor, music, sound and emotion of the production. Time of lighting transition is the most important thing for me to design a piece.
In my piece of this production, #(hashtag), the long transition of light fading were used to avoid the lighting interruption for performing. Through this way, it can eliminate audiences’ perception of lighting changes unconsciously in the way of long-time transitions. In the recent show Intermezzo, I tried to make a transformation of space through the different natures between theatre fixture and fluorescent lamp. Making an ambiguity of space through cut in/out or long fading, I aimed to blur the lines between different realities set in the piece.
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